How does a rider come to dominate at the classics

The spring Classics are cycling’s greatest spectacle. Up to seven hours of high-octane racing, up and over short, punchy climbs, across bone-jarring cobbles and loose gravel, from Omloop Het Nieuwsblad in early March to Liège-Bastogne-Liège in late April.

Winning just one Classic can make a rider’s career. But there are a select few who win, win some more, and keep on winning, becoming their generation’s giant of the Classics. But what makes a Classics legend? What are the key ingredients needed to become a serial winner? How big a part is played by local knowledge? Is it nature, nurture, racecraft, or more to do with the strength of the team?

Take a look at the make-up of the sport’s most iconic cobbled Classics riders and one thing jumps out: most are around 180cm (5ft 11in) tall and weigh around 75kg. There have been a few outliers, of course, such as Fabian Cancellara and Tom Boonen, who were both taller and heavier, tipping the scales at over 80kg. Meanwhile, lighter-weight Grand Tour superstars barely stand a chance – except if their surname begins ‘Pog’.

With the exception of Paris-Roubaix, which doesn’t have any ascent of note, Classics are littered with short, steep climbs. The weight-weenies aren’t able to make their climbing strength count in the same way they can in the mountains of the Tour de France. “Look at what Tadej Pogačar said about Milan-San Remo – he needs a few extra kilos to improve his absolute power so he can push harder on the flats where it’s purely about power,” Podlogar says. And it was borne out: at this year’s San Remo, despite averaging 630 watts for just under nine minutes on the penultimate climn of the Cipressa, Pogačar could not get away from his rivals.

The Cipressa is 5.4km-long with a gradient of 4% – making it one of the longest climbs in all the Classics – but it was not long enough for Pogačar to press home any advantage over Mathieu van der Poel. The Dutchman is 9kg heavier than Pogačar but seemed quite comfortable as he covered the three-time Tour de France winner’s every move. “Over Classics climbs, a few minutes at most, a rider like Van der Poel can follow a rider like Pogačar because he has the anaerobic capacity to tolerate and sustain [high power] without having to dig into his aerobic capacity,” Podlogar explains. “Higher muscle mass has more fast-twitch fibres, which means having a higher anaerobic capacity, something that suits short, steeper climbs.” In simple terms, Van der Poel doesn’t need to get into oxygen debt.

Another advantage for mid-weight riders is how they’re able to cope better with uneven terrain. “You don’t want to be too light when you hit the cobbles because you’ll bounce around too much from all the kinetic energy,” Podlogar says. “A heavier rider is much more efficient on the cobbles than a lighter rider because they’re able to use the same amount of power for less energy.” There are many riders in the peloton of ideal stature for the Classics – quite tall and around 75kg – but they don’t enjoy the repeated success of Van der Poel and his ilk. So what else do such Classics stars possess?

Generational talent is the answer. “You just need the strongest rider, it’s as simple as that,” says veteran sports director Kim Andersen, now of Lidl-Trek. That view is shared by the rider he guided at various teams, Fabian Cancellara. “You need a Mathieu van der Poel, a Wout Van Aert, a Tadej Pogačar, you need a leader who can dominate and go for results,” says the multi Classics winner. And Edward Planckaert, one of Alpecin-Deceuninck’s go-to domestiques, is clear in his reply when asked if his team would be able continue their current Classics domination without Van der Poel. “No, I really don’t think so,” he says.

Not even the most gifted riders can do it all by themselves. Cancellara began his career with Mapei-Quick Step, the team of Johan Museeuw, Tom Steels and Paolo Bettini, among others – each of them lecturers in how to win Monuments and triumph in punishing one-day tests. They taught a young Spartacus, as he would come to be known, how to read his rivals’ tactics and intentions, and how to pick his moment, when to stick and when to twist.

“I was always very demanding of myself, and I also requested a lot from those around me,” he continues. “I needed to get the best out of them, for them to give everything. A one-day race is not like a one-week or three-week stage race where you can save a bit of energy.” How did he get the best from his teammates? “The more a rider gave me, the more I gave them,” he says. “Ultimately, you need strong horses in the front who are going to pull. In the first three hours, my job was saving energy, saving my legs, and I needed the other guys around me to do their work and be fully focused.”

The impact of sports directors, often underestimated, tends to be more pronounced at one-day races than in slow-burning Grand Tours. “The DSs design the carpet and roll it out, and then it’s up to you to follow through with it,” Cancellara says, almost poetically. “In the race it’s not only about numbers; the tactics are a constant rolling situation. I was a guy who needed confidence and trust from the car and my colleagues. Even if I knew I was strong, sometimes I would question it, and if I would question too much, things would go wrong. That mental support is crucial.”

It is also why riders from Belgium and the Netherlands are at an advantage when it comes to the cobbled classics. They will have ridden climbs like the Oude Kwaremont countless times in junior races, and will know every twist and turn in the approach to the key climbs. This means they know where they need to be and when, which means they can save energy over riders who find themselves out of position at key moments

There’s another factor that influences performance: spicy rivalries. Whether it was Eddy Merckx versus Roger De Vlaeminck, Cancellara versus Tom Boonen, or Van der Poel versus Wout van Aert and/or Tadej Pogačar in modern times, facing a foe can be a help or a hindrance, according to Cancellara. “It can give you wings, but it can also put you in the shadows. It depends on the type of rider you are,” he says.

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How does a rider come to dominate at the classics

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